Tuesday, February 17, 2015

Growth


Growing up in my house, you could often hear my mother declaring with a defiant pride that any recipe requiring her to “cream the butter and sugar” would be thrown out.  If you couldn’t melt ‘n’ mix it, it was deemed “too much pfaffing about”!  We’d often laugh about it, and it became a bit of a running premise of our home.  Looking after a family as well as working, Mum wasn’t much one for anything that required her to pfaff.


In some ways, I’ve recently realised that I’ve taken a part of this on board in perhaps not such a good way for me via my knitting of late.  I’ve noticed I’ve been slowly rejecting more and more patterns if they call for something such as an unfamiliar cast-on, or a technique I’m not proficient at.  Becoming set in my ways it seems, as the effort required to attempt something new becomes seen no longer as a challenge but an uncomfortable inconvenience. And all of a sudden, this struck me as rather silly.  I had always supposed myself as an adventurous person, willing to tackle new things in the aim of keeping the mind active and the creative brain stimulated but in fact I now recognise that I actually don’t seek being in situations where I’m short of accomplished!


In an effort to rectify this, I decided to actively seek new skills and embrace the discomfort as part of the process.   As luck happened, whilst collecting another book I had on hold from our local library I glanced quickly at the knitting section, not expecting much I hadn’t seen before but to my delight I found Socktopus – a collection of beautiful sock patterns by Alice Yu all using different and interesting stitch patterns and construction methods.



Socks are a great way to try out a new technique, I reckon.  They’re also great projects to work on while doing the daily work-commute.  Being small, there is the obvious advantage that they are very portable (especially when I’m magic-looping - I switched from my beloved dpns to magic after dropping one tiny dpn in a crowded peak hour carriage one day and having to scramble awkwardly to retrieve it, amidst legs and bags and looks of annoyance from those around me) but they also are great sources of different techniques.


My first choice of project from this book was OmShanti.  Having been a devout yoga fan for over 15 years, the name immediately drew my attention. I’ve just recently returned to a daily practise (which has made me feel so good I question my thinking of why I ever gave it up?) and these little ankle booties will be perfect for Savasana, when the body can chill very quickly as it succumbs to mindful peace.  

The added bonus was the stitch pattern looked just perfect to show off some speckled handpaint yarn I’d been squirrelling, and the construction was one I’d never attempted before.  Tick, tick, TICK! all the boxes.  



The pattern provided the opportunity to try quite a few new-to-me techniques so it was perfect. I learnt:  toe-up sock using a provisional cast on (love it!); short row toes and heels in garter stitch (love them!), and Latvian braid and stranded rib (liked the end result, but perhaps not enough to warrant the fiddly process!)


 The yarn itself is so beautiful.  It’s the something sock base from Republic of Wool in the colourway “Thrasher” and the way it knits up in both garter stitch and the slip stitch pattern nearly makes me weep I love it so much.  I’ve had it on hold in the wings for some time now, just waiting for a good showcase project.  This, my friends, is the project!  I really do think this is my favourite pairing of yarn/pattern ever.



This project has also been an excellent summation of a number of aspects of my life at present; a period of growth on numerous levels; a beautiful, mindful link to my yoga practise, which has given me so much solace during a recent stressful and emotional times; and a rediscovery of how good accomplishment feels even with the accompanying discomfort!   We are often reminded in yoga practise that the very asanas your find yourself resisting are most likely the exact ones you need.  If that isn’t the perfect analogy on this subject, I don’t know what is.  Discomfort (as distinguished from pain) is not a bad thing every now and then.


Using a special skein of yarn that seemed almost too perfect to see any pattern and the pure bliss of sitting with a special yarn, and reflecting on a knitting project as a piece but also a mindful practise, has been a truly lovely experience. 


Every time I look at my feet in these socks, I smile and feel content.  They snug my tootsies in such a delicious way, and the specks of colour against the mint and dove-grey base provide many moments of glee as I discover different little harmonies of colourplay.


How much happiness can be wrapped up in two little booties I don’t know, but there it is.  Pure delight.  


Om Shanti, friends.   May your knitting be delightful and your world contains some peace and contentment this week.

Sunday, February 01, 2015

textures

To follow on from last week's post, I had been planning to chat about another colourwork project this week, but for one reason and another I haven't been able to get myself together to put the finishing touches on it.  Plus I couldn't seem to get the right light to photograph it in it's best advantage - the colours are quite unusual and hard to capture.  So I conceded that there was something in those facts, and it probably wasn't meant to be this week's post.

On the other hand, I finished another piece early this week and it was catching my thoughts and eye every time I passed it on the back of the desk chair, waiting patiently for it's photographs.  So today we'll go with the flow and digress the conversation from colourwork and move to textures.

Back in the era when novelty yarns were experiencing such popularity they were carried everywhere including supermarkets and $2 shops, and you could almost count on seeing scarves adorning the necks of at least half a dozen people passing by, texture in relation to knitting was almost a dirty word.

Me, I love textures.  I like watching how different textural elements combine; how they throw off light and shade; how they sit next to each other and interplay.  The juxtaposition of soft and hard, geometric and organic, and the dimensions they lend a knitted piece, are all very interesting concepts to me.

Texture can obviously be experienced via several modes such as stitch patterns like lace, cables, and rib variations – and it can also be created using yarns.  The novelty yarns really have a lot to answer for, as far as the bad rap texture has had over the years because when you think about it, everything we knit even if it’s completely plain stocking stitch, has a texture so it's not really something unusual about knitting, or even that remarkable.  From the halos of mohair and alpaca, to slubby tweeds and smooth merino yarns, and then the large range of plant-based fibres with their variance of smooth through to almost jute-like final fabrics, there is an inherent texture.

It's a fine line between interesting and novelty though, so when I was trying to work out what to make with some Habu I've been saving I was particularly conscious of using the textures in the best way possible.  When using different yarn bases to explore texture, I think a monochromatic palette is interesting. Taking colourplay out of the picture usually means other elements step to the forefront, much like using black and white for photography instead of full colour.

I’ve carried the particular yarns I chose for this project for 5 years, and kept them so safely stored from potential harm that they have almost been enshrined in my mind.

wool silk yarn knitting

knitting yarn mohair lace

texture knitting lace paper linen yarn

They were a decadent purchase at the time, on one of my early trips to Bendigo Sheep & Wool Show in 2010. I purchased these three black yarns from Dairing with the original idea being I would somehow entwine all three varying textures into one ever-so-stylish scarf.  Despite many attempts, I never found the right vehicle for the trio.

Finally, via the impetus of The Summer of the Single Skein, I decided it was time and I sat down with all three to really work out some potential ideas.  After playing around with options it became apparent that to make it work one of the yarns might have to go, and the mohair was the most logical to be benched. 


I’d attempted a Camomile earlier in the year using Isager yarns but hadn’t been happy with the colour choices I’d made and couldn’t settle on an acceptable alternative so I’d shelved the project.

Working with the Habu Paper Moire and Tsumugi as a combination seemed like a good option to allow a revisit the pattern, and to overcome the different meterage I had (paper moire 284m, tsumugi 411m) I logically decided the paper moire would be the yarn that was dropped.  To further show the unique texture of the paper moire, I worked those rows in garter, and the single tsumugi rows in stocking stitch.


There’s a delicate side to those little paper flutters of the paper moire, but the handle of both the yarn and the subsequent fabric is actually rather “crunchy”.  One review on Ravelry compared it to steel wool, which I could relate to.  It wasn't the most of pleasant textures to handle during the knitting, but pairing it with the tsumugi added some substance and tempered it slightly.  Now that the piece is blocked, both yarns have relaxed into each other considerably also.


As the end crept closer, I was really hoping I will still have enough tsumugi to do a modified edging.  Thankfully, I did.  In fact, I even have a modest amount left over, but at this stage no idea on what I could possibly use it for.  Perhaps it will actually end up seeing the mohair in a mix somehow?



As I was knitting, I keep looking at the alternating stripes and there was a niggling fear that I’d just replicated a fun fur shawl.  I kept begging of people; just please don’t tell me it looks like Feathers?!



As with most laceweight knitting; it's amazing what a good block can do for it though.

(seriously though, don't tell me it looks like Feathers!)

Sunday, January 25, 2015

Colourwork in a flash

I've spent some time this passed week getting to know my knitting machine, and having a bit of a play around with punch cards.

Colourwork is incredibly quick on a machine.  Well, when I say quick, I should clarify.  

Once I get passed the 2 days of frustration and bewilderment as to exactly why it's not working; the numerous cast-ons only to realise I've forgotten to flick a switch to position B, or I've threaded it wrong, or the tension is too tight/loose, or as I pass the carriage over for the seemingly simple row, half a dozen $*&#% stitches jump off the hooks and run aalllllll the way down - then, after all this, it's incredibly quick.

I was determined to pass on at least some small thing to the very friend that I got this sweet machine off, before she sets off on her adventure to live in Scotland.  It seemed only fitting that small thing be a piece of machine knitted colourwork.  It tied in a good deal of things I've been lucky to learn from her since meeting up in 2013, and I felt very proud to hand these over to her last week at lunch.  I did not, however, manage to get a photo of them completed!


Once I found my stride, I went in search of more yarn and came across two balls of Jo Sharp Alpaca Silk Georgette.  I think this yarn has now been discontinued?  It's a lovely alpaca blend in sportweight and I'd picked up these two contrasting colours in a sale. Two balls of sportweight isn't quite enough with which to do much, though.  I settled on a small cowl, buttoned for ease of getting on/off.


The yarn went through the machine beautifully, and the high contrast swan white and charcoal have worked together in such a perfect way.  I handknit the ribbed bands because although I know you can simulate rib, and create buttonholes on a knitting machine, my skill are not there yet.  I personally also like the blend of machine and hand.


Buttons gleaned from my recently felted (sob) cardigan were a perfect match, and the cowl was quickly snaffled up by Lily with her now-patented trick of "Oh! Did you make that for me?!".  I might secretly decide that we'll share it though.

There was even more colourwork experimentation, but I might save that for the next post.  It involves a Very Special Skein, and I think this one deserves it's own day in the sun.

I did a quick progress shot of my Summer of the Single Skein progress yesterday and I'm happy so far.  Depending on your interpretation of when Summer "ends", I feel like we are at the halfway mark?  March seems like as good a time as any to wind things up and start thinking about Autumn, don't you think?


How are all your special skein plans working out?  Are you planning or winging it?  I'm doing a little of column A, a little of column B.  Don't forget to tag your projects with #summerofthesingleskein on Instagram, or do a bit of show-and-tell over on the Ravelry group - we've got over 100 members to date, and lots of inspirational posts, chat and encouragement.


Friday, January 16, 2015

All about the marle

The Summer of the Single Skein is rocking along nicely, thanks to everyone who's jumped on board!  There's an enthusiastic lot of discussions going on over in the Ravelry group with people posting their plans, WIP's and FO's.  It's always so exciting to see not only what others are making but also their gusto as they embrace a new project or concept.  Feel free to come and join the discussion!

I'm really enjoying getting some things on (and off) the needles, and finally using up some of my special skeins.  It's funny too - what's "special" to me.  It might not look like anything out of the ordinary to others, but to me there is something about that yarn that has kept it in the must-find-perfect-project section of the stash.

This fortnight, I've really gravitated towards my collection of marled skeins which, again, have been too precious to use for some time now.

Within this group, I had two balls of Zara Chine which is your fairly standard 8ply merino I guess, so what makes it special?  This particular shade reminded me of composition notebooks from the minute I saw it, and I had big plans to make chunky slouchy socks with it but could never bring myself to cast on.  Truth be told, I'm not really a great fan of DK weight socks and I didn't want to waste my precious skeins. 

In the end, I made a squishy ribbed beanie in the style of Sons of Anarchy's Opie (oh how I miss that tall drink of water).  

samcro SOA hat beanie knitting

It was a good decision.  I absolutely loved the way the wool knitted up into a subtle marle fabric, and the resulting beanie is exactly the type I like to wear.

The pattern was a freebie found here.  For a simple beanie, it was well written with a nice variation on the crown shaping and a good amount of slouch.  It's one size only and I'd say it's a men's but I have a head on the larger side of women's standard sizing so combined with the 2x2 ribbing, it fits me really well. 

Adding to the marled knits this week was some more socks, using Lang Jawoll that I specially ordered last year from England.  Then promptly put into the Precious Stash Section.

knitted knitting socks marled lang jawoll marle handmade

The colourway is Baker's Twine and I fell in love with it from the get go.  It's one of those perfect blends of blue and white that makes me think of vast oceans and coastal skies.  

As a sock yarn, this one is on the lightweight side (think Opal) which does make them good for Summer, however I think if I use the other skeins I have of it for more socks, I will most likely go up in stitch count and down in needle size though.  The fabric is almost too loosely knit as I have done it, and I do worry about how they might stand up to wear?

Because I was keen to let the the marle stand on it's own, I decided to use my standard 60sts/2.5mm pattern base in a 3x1 rib.  To avoid too much purling, I knit the leg cuff 3 knit, 1 purl then when I got to the heel flap I flipped it inside out so the previously purl stitches became knit stitch spines.  Once I hit the foot, there were only the top stitches to purl so it really wasn't any more painful than knitting any other stitch pattern on socks.

Again, I really like the marled fabric this wool created.  It makes me so happy to see those flecky stitches coming together, and got me thinking about all the other skeins in my stash that I could probably combine to create the same effect.  Possibilities abound.

It's one of my favourite parts of the creative process, those moments when one thought or experiment begets another and so on and so on.  I need to remember to look for it more often and take notice when it unexpectedly pops up, one of my goals for 2015.

What's exciting you this week, and getting your creative flow going?

Saturday, December 27, 2014

Summer Singles


I've decided to start a KAL this Summer, and I'm so excited about it!  After knitting loads of garments and big projects this year, all I want to do over the Summer break is bust out some small things and use some of my precious, gorgeous single skeins.  

Like many others, I am a bit of a collector of the single skein pretties.  So tempting, so alluring, yet often somehow just too special to be used?  Or not quite enough meterage to make something worthy? Well, enough of that!  I had a good clean up of my stash, and it's plain as day - these beauties are just too pretty to be stuck in storage.

This is a very relaxed KAL - a bit like Summer.  The only guidelines are to find those special skeins in your stash (or buy some, I'm all for stash enhancement) and bring them to life over Summer. 

If you would like to join in, feel free. I'm going to start New Year's Eve, following my tradition from previous years of starting a new project to herald in the start of the new year.

You can follow along here, on Ravelry in the group, or over on Instagram too if that's your thing.  We'll be using the hashtag #summerofthesingleskein and I'd love to see what you do with all the scrumptious skeins are hiding in your collection!

Sunday, December 21, 2014

Well, that was unexpected

So, if anyone is even still reading this blog, apparently I took a little leave of absence for a month!

I kept meaning to post, I swear, but you know those times in life when you really just need to take some time out and stare at your navel?  Well, yeah - November was that for me.

I am slowly coming out of my contemplative, introverted state (fog?) although I would hesitate to say refreshed or with significant clarity...yet.  I know myself, and I can tell there is still more to be processed and I will just have to ride this path to the conclusion.  No point rushing things as from experience that just leads to a bigger crash further down the road. But for now at least, the black dog is sitting with his head patiently resting on my lap, requiring the occasional pat but otherwise being undemanding.  That my friends, is a significant improvement.

I have been turning to knitting for respite, although it's not always the comfort one would imagine.  Many days I find it brings me no joy, or at least not the satisfaction I had anticipated.  I'm reading a lot, and doing an inordinate amount of yoga which seems to be the helpful activity I need to occasionally quiet my thoughts.

I did manage to finish my Year of Sweaters by Season though, through determination and a little leniency!

My Fieldwork cardigan is the final in the series.



I started strong with this one,  working through the back quite quickly.  There were some issues with the pattern, be warned, and the errata actually further confused the issue.  I love pompom magazine patterns but I do think there is room for them to have more resolve and finishing.  This is the second (both lace, to note) pattern that I've noticed some fudgy areas in.  Experience in knitting lace and garment construction will help with the Fieldwork pattern, once the knitter is aware though.



I seamed up the pieces I had and decided not to do bands as I liked the drapey feel of the lace as is.  I also could not be arsed picking up stitches and knitting rows and rows of garter stitch, let's be honest!  When you're done, you're done, and there was little chance I was ever going to be convinced to do anything more once it became a feasibly wearable garment!



I modified to knit the back all in one piece, to eliminate the graft down the centre back, but left the seam along the top of the sleeves.  You might remember my partner-in-KAL decided to do the alternate - eliminate the seam; keep the graft.  Reflecting, I think if I had my chance to do-over I would probably eliminate the graft AND the seam if I could.

To do a final wrap-up of the project, these are the collective sweaters from the challenge


1. Autumn - Peasy

2. Winter - Beeline
3. Spring - Miette

4. Another shot of Fieldwork, to show I do still remember how to smile ;)

I switched out a cropped cardigan I had planned for the Summer project, and added Beeline in to become the Winter project.  Both good decisions, especially the Beeline which got significant wear this Winter.  It's like a big cosy hug of a sweater, and a great weight for Melbourne in Winter.

I really did enjoy this year-long project. Along with a lot of other things, I've ended the year with 4 beautiful, wearable sweaters. I'm thinking of doing something along the same lines next year, though probably with a different overall theme to keep it fresh for both me and you.  

Right now I'm pushing to finish an Aranami shawl for Mum for her Christmas gift.  I've used Bomulin, a cotton/linen blend from Isager and I'm eager to see how it softens once washed and blocked.  The anticipation is it will be a sublime dream (no pressure).



Other than that, there are a few small projects on the go.  A hat to add to another gift, some socks for a friend...

Right now it's the perfect amount of not a lot, and that's the right place to be.

Hope to see you in the New Year; stay safe and happy and love yourselves xx


Sunday, November 23, 2014

Woodland Hoodlet

Right in time for the hot weather, I've finished Lily's Woodland Hoodlet.


I felt overheated just watching her wear it while we got photos today.

Made in Rowan Big Wool, and covered in cables and bobbles - this really is a season-specific knit (and this ain't the season in my neck of the woods).  My kid has the patience of a saint when it comes to photographs and knitwear, I gotta say.

The pattern, for those who missed my first post, is from Tiny Owl Knits' lovely book - "Woodland Knits".  It's called Woodland Hoodlet, and for possibly the first time ever, I knit in the specified wool and the pictured colourway.  Unheard of, but that was her request and who am I to argue?

I had no issues with the pattern, once I *cough* realised my own errors and I will concede the big needles/bulky wool did knit up quickly.

That said, this pattern is a fair way off what I usually gravitate towards, and as a result I think really cemented a few things in my knitting brain whilst working on this piece.

#1 I definitely prefer smaller gauge projects over bulky knits.  Wrangling the bulky wool on 10mm needles was, in short; hideous.  My tension got shot to pieces as a result and overall I wouldn't say I'm greatly pleased with the finished look of the fabric.  I also have concerns about the way it's going to wear as it feels quite loose for the soft, loosely plied yarn...


#2 I don't hate cables as much as I remembered (but on bulky wool/needles, I still hate. Oh, how I hate).  I think there may be (small) cables in my near future

#3 There is nothing like making something for the one you love the most